Experimental

Some forms are powerful in their clarity: at a single glance, they reveal themselves entirely. Others, however, gain strength precisely through ambiguity — through their resistance to naming, through the unease they provoke.

It is in this space that we wish to position this installation.
Is it a tent? A sculpture? Should it be seen from afar or inhabited from within?
Hard to say. And that’s exactly where it begins: in the desire to understand what one is looking at.

That impulse — almost childlike — to get closer, to grasp, is the true driving force behind this piece and the relationship it establishes with the public.

In 1969, The Who released Tommy. In it, Roger Daltrey sang with intensity:
“See Me / Feel Me / Touch Me / Heal Me”
“Listening to you, I get the music / Gazing at you, I get the heat”

Ambitious? Yes. But we aim for nothing less.

This free, enigmatic and ever-changing volume lands on the landscape with the strength of an icon. It seeks to generate discomfort, curiosity, love — perhaps even repulsion. Beauty? Perhaps. Ugliness? Perhaps too. But above all, it seeks to move.

Clad in reused fabric from a construction site, this installation makes its stance clear: a commitment to place, to action, and to the awareness that sustainability is not an accessory — it is what envelops us entirely.

Rave it. Exhibit it. Contemplate it. Live it.
But never forget:
this is not just an object. It is a question.